Coney Island

View the entire Coney Island gallery here

It was July 2nd, two days before the world-renowned Nathan’s Annual Hot dog eating contest at Coney Island.  I had never been there and what I had read and heard about Coney Island was on a scale that had me conjure up this picture of a huge early 1960’s carnival, with bumper cars, roller coasters, games of chance with cheap prizes, food trucks, beer halls and balloon vendors. All located in the middle of a beach and right next to NYC. 

Well it ended up that my imagination was a little overboard, but in my defense, I can cite several articles that had sent me down that path. First of all, it was a 50 minute subway ride from Manhattan to Coney island so it’s not exactly next to the city. When you step off the train onto the subway platform its steel girders, tile walls and the screech of the subway cars coming and going, the only clue you have that there is more to this stop is the huge Ferris wheel that lurks in the background of the station platform.  It sits in between numerous multi-storied condo buildings that try to engulf its very existence. From the platform it is colorless, as it fights with the brick and concrete buildings, the brown and grey hue of the rusted train tracks, the metal girders of the old station, in its unsuccessful effort to welcome you with its red and blue neon lights. 

Stepping outside the station and you are taken back as the atmosphere is carnival like and complimented with a spectrum of colors, icon buildings, amusement rides and a diverse and eclectic mass of people.

As you make your way to the boardwalk Nathan’s stands alone, with its green, red and yellow sign and the prominent 3D hotdog protruding out of it. People are queued up to get their “piece of Coney Island” via the Nathan hot dog. Just beyond the picnic tables and condiments stands of Nathan’s is the twisting and spiraling metal of the amusement rides, neon signs, and what looks like thousands of beach umbrellas intertwined in an array of patterns and colors.

It was easy to understand right there and then how this haven has had so many different adjectives applied to it and individual perspectives written about it in an effort to define what Coney Island really is. Although that definition may never be fully explained it is clear why it has been a true haven for many as they escape the heat of the city, the dreary shadows of the massive buildings, the ever present white noise and the wide spectrum of black, browns and greys that encompass their weekdays. 

My “day” at Coney Island was only a few hours so my initial perspective was focused on the obvious which stretched from the boardwalk, to the beach and out to the pier to get a feel for the dynamics. Than it was to observe and find some of the AB background that would add depth to what I already had encountered.

When you view the gallery, you will note the over-saturation of color in some of the photos. Simply stated what registered with me initially, and still does, was when I first took in the view of the beach with the umbrellas, the mass of people, life guard stations, backdrop of the amusement park, etc. and what the camera recorded through the lens and onto the stick were not the same images. As an example, when you were younger and first walked through the entrance to the Magic Kingdom at Disney World what you took in was certainly more dynamic than your perception of it on the second or third visit. Even though the color, the content, etc. were all the same it’s the emotional connection that is beyond what the camera can record.

Another example of the lens understating the moment, that particular day, was the energy, emotion and rhythm that was on the boardwalk as people danced to live salsa music. The lens picked up the images and some pieces of those 3 components, but didn’t capture what I wanted. So, the approach for the beach and the dancers was not to over-manipulate the photos just to change the temperature of the photos and the degree of saturation to see how much more could be squeezed out of them and how close I could get to my initial observation.

Did I accomplish what I was after? I’m not sure yet.  

Peru

View the entire Peru gallery here

They say a picture is worth a thousand words and I totally agree with that observation, however a little background information on what you are looking at is always helpful.

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The destination was Machu Picchu, the Inca citadel built in in the 15th century and set high in the Andes Mountains. The journey to MP would take us through the colonial village of Pisac, the ancient Inca capital of Cusco, and small indistinct mountain villages as we traversed the trail through the Andes.

The gallery, except the first two pictures, are in chronological order of the trip.

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Pisac, located in the sacred valley, is a good starting point to begin our altitude acclamation and also get an introduction to the people, the culture and the kaleidoscope of colors that are intermingled within.

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Pisac offers some very challenging hiking trails, unique archeological sites, including the ceremonial site of Intiwatana. However for me it was the central market place, the local catholic church, and the surrounding mountain villages that drew my attention. 

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The Pisca pictures are an excellent introduction to the beauty of the country, the Peruvian highland people (both young and old), the social and economic importance of the marketplace, the church and the living conditions. 

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Although some local hotels will have a few modern day amenities, for most who come down from the highlands to buy and sell, it is easy to see that their lives have remained unchanged for decades and their daily routines are simple, uncomplicated and focused around the family.

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The rest of the Pisca pictures can be viewed in the Peru album


Cusco at one time was the capital of the Inca Empire from the 13th to 16th centuries. It has a very rich and deep history, however Wilkipedia and other sites can do a far better job detailing this city’s history than I can here.

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What was unique for us was that we were in Cusco during the Inti Raymi celebration. The Inti Raymi festival is an ancient Incan ceremonial worship of the sun, and is a faithful representation of how the Incas did it when they celebrated the winter solstice in the southern hemisphere.

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The participants are from the villages all over the Cusco valley. They come not only representing their individual towns and villages but do it in traditional clothing, performing dances and playing the music that has been passed on for generations. 

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We captured some of the celebration in the main square but pulled the camera to the side streets where there was a far more candid and diverse representation of the people and the celebration. 

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The rest of the Cusco pictures can be viewed in the Peru album


ANDES

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The next few days took us through the Andes on the way to Machu Picchu. We made our way up the mountain on narrow trails that we shared with llamas and donkey’s both coming and going from MP.  We passed through small settlements. We saw some of the most dramatic landscape I have ever been exposed to and met those who have chosen to live in this rugged environment. 

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The rest of the Andes pictures can be viewed in the Peru album


We arrived at MP early in the morning as the clouds hung low over the ancient city giving it a dramatic backdrop.  I have included a few pictures of MP in this gallery to give you an idea of its beauty and grandeur, but there are literally thousands of pictures taken per day and posted on the Internet that you can access.

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Although the ancient city of MP offers an endless number of photo ops, for me the real opportunity was in Machu Picchu Pueblo.

Built in a deep valley, with the treacherous Vilcantoa River running right through the middle, this village is the stepping on/off point for tens of thousands of tourist who annually visit the ancient site.

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The town, although bearing the same name as the ancient site, is best described as a dichotomy to the main attraction. It has to be traversed by using several bridges (of those that still remain after the 2010 flood). The town itself is carved out of the surrounding hillside thus making the streets very narrow and some of the construction questionable. 

 

 

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As you will see in the pictures this key village to MP totally depends upon the railroad for not only getting the tourist in and out of the valley, but also for transporting in the majority of the essential day to day goods from food to cement. 

 

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Now with all the technology at hand, mechanical means to move goods from point A to point B the village is a throwback to the ancient city it supports. The goods are moved today in much the same way as the material to build MP was moved and that in itself was worth capturing.  

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With all the tourist traffic passing through it is obvious the Pueblo does not share proportionately in the economic influx.

Its infrastructure, like many of the villages, towns and even some cities within Peru eventually develops and grows but that is directly attributable to the inherent resiliency of the people who live there, and in the case of the pueblo inhabitants,  literally and figuertuvly  push on to survive.

If you travel to MP the village is a bus stop, for me it was a photo story that showed the other side of the MP attraction.

The rest of the Machu Picch pictures can be viewed in the Peru album